Transcript of Paula Pell

Jetzt nur du, dein Podcast und eine leckere Auszeit. Ab zu Aldi Nord! Für 1,99 machst du es dir instant lecker.

Mmh!

Und für 59 Cent findest du dein neues Lieblingsdessert. Bei Aldi Nord findest du immer das Passende. Klingt gut? Dann probier das Asia Green Garden Udon Nudel Bowl Fertiggericht. Ab 249 Gramm für nur 1,99 Oder Mesani Sahne-Kefir. 250 Gramm für nur 59 Cent. Das ist Gutes für alle zum Aldi-Preis. Jetzt in deiner Filiale. Aldi. Gutes für alle.

DEBORAH ROSS] Hello, everyone.

Welcome to another episode of Good Hang. So excited about our guest today. It is Paula Pell, the great performer, writer, actress. She wrote on SNL. You may have seen her on AP Bio and Girls5eva and The Burbs, out now. Um, but, uh, Paula and I have loved and known each other for a very long time, and we are gonna talk about so much good stuff. We're gonna talk about how fun it is to harmonize. We're gonna talk about Paula's years performing performing at Disney's Pleasure Island. And we're gonna talk about, um, how she really enjoys writing joyful losers and how that got her through some real, um, complicated times at SNL. So, we are gonna get into it, but before we do, there's so many people that wanna talk about how great Paula is. I could interview 12 of them right now, but we have someone who is kind of a new friend and a new fan of Paula's and who is working with her currently now in a new film. And that person is— Kimberly Diane Kardashian, otherwise known as Kim Kardashian. Kim, Kim Kardashian, can you hear me? This episode is presented by Hilton.

Guys, you know what vacation perfectionism is? It's the pressure to get your family's summer vacation booked and make it perfect and memorable. Stressful, right? Don't worry, 'cause the team at Hilton takes care of what matters so you can exhale and disconnect. They've got over 9,000 hotels hotels around the world, including amazing resorts and all-inclusive options. So you'll definitely find the stay that you're looking for. When you want your summer vacation to feel like a vacation, it matters where you stay. Book now at Hilton.com. Hilton, for the stay. Hi, Kim!

Nice to see you.

It's really nice to see you. Thank you so much for doing this on a Saturday.

Of course.

I just left the gym, so I look a little bit of a mess, but it is what it is.

What did you do in your workout?

I do, uh, strength training.

Yeah.

So I have this like crazy bodybuilder trainer and we do lots of like, today we did lower body, so squats and walking lunges and I'm feeling you because I know I have to up my weight stuff for like bone density. Do you ever get a DEXA scan?

No. Tell me about it.

I actually know a portable DEXA scan person that comes in a, in a van and you lay down. And each one of my sisters and my mom, we all live in the same gated community, so we have the van drive by and we all jump in the van and you just lay down and it scans your body. Maybe like 3 minutes. And it tells you all about your bone density.

Ooh, I love that.

You know, over— we do it once a year and just to make sure that you're still got it going on and you still have all of the bone density that is necessary.

I mean, it feels like something that our moms did not know about or talk about at all. I know. I feel like creatine intake. I know. There's so much stuff that we have to now take.

It's a lot.

Supplements. I take probably 35 supplements a day. Kim, I spread them out 3 times a day and I thought, okay, I can't do this fish oil right now anymore. I have pill fatigue. I have to stop these fish oil. And I got my blood work and it was so evident that I stopped and I had to start again.

But it is tough to take fish oil because you When you take it, you, you like taste it for a long time.

The pills are just so big.

I know.

I wish there was like an IV drip I could do every day, and I would just do it on my way to work.

I'm sure there is a portable— another guy in a van who can follow your car.

Yes.

Um, well, you are on your way to work on The Fifth Wheel, which is the movie that you're in, starring in, that Paula Pell wrote. And I'm So I was— thank you so much for talking about her today, because to me, people that love Paula, um, are people that love comedy.

I have been fascinated by the comedy world and the people that I've been so blessed to meet over the last few years. And Paula, anytime I mention her name, I get a text back, just genius.

Yes.

Just how we met was so funny, and it was so quick and fast. And it was maybe a year and a half ago, maybe 2 years ago, that we're here filming a movie that we had an idea, like, the first time we spoke. And it was really crazy that someone wanted to connect us and thought this would be a really fun project. Would you guys ever want to— Kim, would you want to do a comedy? And Paula, would you want to write it? And we got on the phone, and she hung up, called right back within an hour with the whole idea.

Wow.

And— She's incredible.

We had the funniest day yesterday on set.

What happened?

So it's like Nikki Glaser, Fortune Feimster, and I in this one scene. And I won't say what's going on, but Kristen Wiig is doing something—

Perfect.

So funny.

Perfect.

And we're supposed to be laughing and reacting. I couldn't control myself, like almost peed my pants, like just every single time. Just being in a room with people that you want to be professional, you want to get the job done, and you just can't control yourself because it's so funny.

I can tell you are a big comedy fan.

I've now gotten to meet some of the people that I've always looked up to and thought were so amazing. And it's just such a— it's such a community where everyone supports each other so much. And I experienced that for my— the first time when I hosted SNL. It was like this group chat of so many comedians trying to help with my bit and with my monolog. And it was so fascinating just to see everyone's minds and to see how supportive everyone was. Showed up that night when I was doing that and rooting for you. Like, everyone genuinely roots for each other, and I've never seen that kind of connection and bond in any other genre in the entertainment business.

Okay, so you said you had a couple questions for Paula today. What are your thoughts for what we should ask her?

I wanted to know when she was coming up with this idea for this film, is this everything that she thought it would be? To me, it feels like one of those magical— Like, there's a little extra magic in it that, like, we all knew, and I think this is how it was envisioned, but I feel like there's just a little extra fairy dust over this project. And it feels really good. And does she feel that fairy dust too?

Hmm.

And why is it important to you to ask that question to her?

Her?

Why, why do you want her to— why do you wonder if she's feeling that too?

Because it's such an exciting time and an exciting feeling, and it just feels like— I just want to know if she feels the same way that I feel about it, because I am really excited and passionate about it. And, um, I don't know, maybe this— maybe she's so accomplished and there's so many projects and this is just one of those.

And like, I, I think the exact opposite. Like, I think the best thing about Paula is that she has this she creates momentum. She has energy, which is what, like, you're talking about, you— as you know, you need to get stuff started. But she also— I think one of the best things about her is she doesn't forget the people in any process. Like, people are as important to her as outcome, and she's a people person, you know. She really wants to connect in that way, like, with— through the stuff that she makes. And so that magic-y, sparkly stuff that you're feeling among each other. Like, I think that's kind of— if I was to say something about her, like, she is— I think she loves that stuff. I think that's why she's still doing it.

Yeah.

Yeah.

I just—

I hope she feels the magic, 'cause I feel it.

And then anything else?

I always wanted to know, is there ever someone that you just can't control yourself, you just see them in action, and you just— can't stop laughing, like you physically can't get through a scene or something because you find them so hysterical. And I love watching SNL, and when you're trying to get through, you know, a bit, and you just— they break and they just start laughing. Like, to me, that's when I really start laughing because I can feel how much fun it is, and I can see see that they're having such a hard time getting through it because they just want to laugh so, so hard. And I just wonder, like, who is that person for you, for her?

You know, like I said when we started, I feel like anybody who loves Paula's comedy, to me, means that they know comedy. So, um, I really— it really means a lot that you got on a Zoom today. Thank you.

Of course.

She's going to be so thrilled and excited that we talked.

Watch it.

Okay, thanks so much.

Have fun this weekend.

Thank you, nice talking to you. Bye! This episode is brought to you by Visible. Ah, spring is in the air, which means it's time for some spring cleaning. We're decluttering the closets and finally tossing those mystery cords. But while you're cleaning out the junk drawer, take a look at your wireless bill. Don't fall for wireless traps, surprise fees, confusing bills, and empty promises. Join Visible and cut out the nonsense. With Visible, you get You get unlimited 5G data and hotspot on Verizon's network for one flat cost, just $25 a month, taxes and fees included. It's everything you need and nothing you don't. Finish your spring cleaning by ditching the carrier clutter. Head to visible.com and get started. Terms apply. See visible.com for plan features and network management details.

Woo-hoo-hoo!

Paula Pell, you look fantastic.

Thank you. I've got a full denim suit on. Is that— Ooh. Is that a super lesbian move or what?

Paula, you're probably one of the guests that we've talked about the most with other guests. Like, I was thinking today about us talking, and it was like, oh, we've brought up— I mean, I'm so lucky that we just get to talk to our friends on this.

It's the dream job, isn't it? It is. It is.

It's a dream job. And the hours.

And wouldn't it be fun to have two people doing it? You know, the two blondes. It could be called Two Blondes Having a Good Hang. I mean, I'm not I'm not trying to infiltrate your good thing. But we'll talk.

We've talked about— Well, we've talked to you on the Anna Gasteyer episode. You very nicely gave Anna a question. Thank you for that. And I feel like anybody who knows comedy knows you. Anybody who is paying attention to who has done what over the past 25 years, they know you. And I just wanna say, I wanna start by saying something I say to people all the time, which is, Paula Pell is the funniest people's favorite person. And you are often in a room of hugely funny people. You're usually the funniest.

Thank you. I'm very competitive that way. I know.

I like that. I like— you are a little competitive. I like that. And, um, and in a good way. And also, anybody who likes you and likes your comedy, to me, is like an indicator that they know comedy.

You know? That's really nice, Amy.

Well, it's true, Paula. Because, you know—

I'm gonna pretend to drink so I don't look embarrassed about that. Mm. I, um— Mm.

What do you got going on in there? Delicious water? Los Angeles water? Mm.

You can taste the tap. Mm-hmm. Um, I really appreciate that. I love cracking up hard-to-crack-up people. You do? That was always our fun. And obviously, with Lauren, I used to like to— I like breaking through someone who's tough, a tough— Like, someone's like, "I'm a hard laugh." Like, "It's hard to amuse me." I love to find the little crack.

You do, and you wanna keep working it. And that's why, like, with, like, especially, like, quote unquote, like, "alphas," you're really, really good at getting them to laugh.

Well, I was new a few times when I was little in school, and I hated people that were on immediately when they were new of like, "Hi, I'm so funny." So-and-so. Yeah. What do you like? Oh, I like this too. My biggest fear was that I would be that kind of person. And so because I never like inauthentic love coming towards me, I don't like when people are, you know, I just like to believe that it's, it's real, that it's not going to hurt me on the other end or they're making fun of me or something. So answering your question that I created in my head— I did.

Did I ask one?

You didn't. But it's that feeling, like with Lorne, is, is just like, I want to feel more comfortable with him, so I'm going to sit on him. Yeah. Which is what I used to do.

I was going to talk about this later, but let's talk about it now.

We can talk about it later.

You used to go—

This is 3 hours, right? You guaranteed me contractually because I said I'm not driving over here, not getting on the 405 for an hour. I know how fast that goes.

Well, we all know that pods— Promos.

I know it's important.

Um, you are a Midwest— do you consider yourself a Midwest girl?

Even though—

oh God, yes.

Anyhow, what would you— how would you describe a true Midwesterner? Like, what are the— what are they like?

Uh, a pleasant liar. A deep liar. Um, just like Southern women. Uh, Midwestern women usually are big liars, and they— my grandma used to always, uh, go to— she loved to go have a little diner food with me, and I would take her to the Pine Cone, and over by the interstate in LaSalle, Peru. And she would start eating the soup, and I have a big— Midwesterners love soup too, Midwestern women. And she's, "Oh, and is this soup ever good! Oh, and how! Oh, I love this soup! Oh, God!" And then the guy would come by, "This soup is fantastic!" She would talk about the soup, and then as we're walking out, she would go, "I didn't care for that soup." And I would look at her like, "Why the fuck didn't you tell—" I didn't say "Why the fuck" to her, but I'm like, "Why didn't you just tell him you didn't like the soup and get a different soup?" "Oh, I'm not gonna do that." You know, I came from that kind of people that you don't tell the truth because that's not— And what I like about it is based in kindness, that you don't want to hurt people's feelings, but— Yes.

You grew up where specifically, for most of your— Joliet. Yeah. Joliet. And for people who don't know, Joliet, Illinois. What's that town like?

I haven't been there in a long, long time. I know they have a casino. I haven't been there since they have a casino, which really revived, I think, revived Joliet. But it was a, you know, kind of a suburban town outside of Chicago, probably about 45 minutes outside of Chicago. And there's a prison nearby. So my quest was always like, you know, where are you from? Joliet, not the prison. I always had it loaded up. Was that—

was the Joliet prison the— Where Blues Brothers, did they go to Joliet?

So, Joliet Jake was Aykroyd's name, I think, in Blues Brothers. Right, right. And when I came into my meeting with Lorne, he said, "So, where are you from?" Or he said, "Tell me about yourself." And I said, "Well, I'm from Joliet." And he said, "Whether that's true or not." And he thought I was doing a Joliet Jake reference, maybe? And I didn't even know his name was Joliet Jake at the time. And I was like, Well, it is true. I mean, I'll have to send them some proof of that 'cause they're really raking me over the coals.

Yeah, that's a little bit of a mind fuck to be like, "Nice try," when it isn't even anything that you thought you were snowing 'em on. But we've talked about this a lot and I love this. And I'm curious now as we're getting older, if like you always say that you felt as, and I know from you letting me read your journals, I've got to read Paula's journals, and is, You always felt kind of like wiser than your years as a young person.

I was a very caretaker. I always say born at 50. Very, I remember I started my period at 9, and I remember telling all my friends how it works, and like how to put it, you know, how to put a pad on, and how to, and they gather around me, like I was like Julie Andrews in Sound of Music, and I'd be, let's start at the very beginning. There's a string and an applicator, I just would always have the in of like, I'm an older. Yeah. You know, and I had an older sister who taught me to read. Patty was like incredible. She always was very nurturing to me. But to them, to my friends, I was the wise one. I had a very old soul and I think it was because it was withering from lack of any sexual interest from anyone. So I, by the time I was 15, I was like, well, I'll never be touched. So I— but I was also Silently and quietly looking at women and feeling weird about that.

So you grew up in the '80s. You were, you were a lesbian. You knew it, but you couldn't—

I knew it, but I didn't really know it in quotes until I was just out of high school. And so my best friend and I were basically madly in love with each other, and we ended up always like sleeping over each other's house during the week for the last couple of years of high school in the same bed. Like, just, it was a very— Florida high school was like so affectionate, like in the public school. And I came from like a Catholic girls' school that was so not. I mean, we'd hug each other if, you know, somebody died or something, but it was just like, or if you had something on your coat, you know, let me do that and get it off. But like, it was— I got to Florida and I was like, what is going on? Why is everyone hugging each other? And but it was perfect for a closeted lesbian because we'd go to like a choir trip and we'd be just like, like, you know, 69ing each other on the bus, just sleeping. Like, I'm sleeping on her ankles and she's sleeping on my ankles, and it's just— but we didn't know at the time.

We did know, but we didn't know. It was like, your, your soul knows, but you are not saying it, you're not acknowledging it. And then we started having all these fights at the end of high school, like a lot of dramatic drunken fights. We'd drink like a lot of white wine in big football cups, and we'd be like, I don't know, well, what do you want? Well, what did I do? And it's just like fights. And then it was like— and then it just— the world broke open. And I was like, but it was a world you couldn't do that.

That's what I was gonna say is I think people didn't— don't really remember or understand that in our generation. I mean, I had, I had no openly gay students in my high school. Not one. Not one.

Not even the super gay ones. Exactly. Like the super gay guys where you're like, there is no doubt.

Like I was saying to my kids, there was no Gay and Lesbian Alliance in my high school.

Oh, hell no.

There was no openly gay teachers or students. Everything was, you know, nothing was spoken of. And it was this time where you really did have to live this secret double life that you could not share with most people that you loved.

Yeah. And I mean, the most heartbreaking thing about it was that when we went to college and we ended up together for a few years in college, and then there was a big heartbreak, the most heartbreaking thing is to go home and not be able to be heartbroken young person with in front of your family. Yeah. So you have to manipulate all the reason you're heartbroken of like, oh, she's gone away to school and I'm not. And it's just I miss having a friend. I miss someone to hang around with and go troll for dick. You have to like, you just have to— you don't get— you don't get the aftercare. Heartbreaking because you just want to look at your— oh, I'm crying already, guys. This is supposed to be lighthearted, right? But like, you want to look at your mom and go like, yes, it's my first time I had my heart broken, you know? And my parents were very kind, sweet, wonderful, supportive people. And at the time, if I would've had the balls to do it, I could've maybe explained it to them and they would've been loving to me.

And you know, I know your family so well, and you know, you talk about your sister and your parents, you come from such a funny, like, your parents are hilarious. Yeah, they're all great. Your sister's hilarious. You guys tease each other. You love a good joke. Yeah. Like comedy was so important to you.

No. Growing up. All of them. My father is truly, genuinely, like in his next life will be a comedy writer. He, he is a comedy writer. Like, he is still— he's, he's 87 and he is still so ungodly funny. My mother was having gastro problems recently when she got really sick, and I said, I texted my dad and I said, um, uh, is she still having diarrhea? And he said, not since Saturday, and spelled it T-U-R-D. "Saturday." "Saturday!" Like, immediately. But he does it without being desperate for you to laugh at it. Sure, sure, sure. He just does it and waits. And that's you too. I also have a really good skill of freezing and pretending I'm freezing. You want me to do it? Yeah. Okay, I'll just do it while we're talking. Okay.

So, I know that there was a lot of musical theater that you were into when you were a kid.

Yes. I loved musical theater. The only reason I had to stop is that I was just choking on my spit. During the pandemic, I used to do it all the time on Zooms, and it— and I would go so long and just be— but like, you know, it has to be in the middle of something. You can't just like— yeah, sure. So it's just like When you—

People are gonna think their YouTube is—

And then they'll be like, "No, I'm gonna—

I'll watch that later." You were a musical theater per— Like, you were doing all your plays in high school. You were like, "I wanna be a performer." Like, did you know anyone that was an actor? Did you think that was gonna be your job? No.

One of my biggest gifts in life was I grew up in the Midwest where I had a little teeny Catholic high school. They had the most glorious, theater and music departments. Always. All my schools always had the most glorious— and nobody had money. It wasn't like these rich schools at all. And I, I was in full with orchestra Oklahoma when I was like in 5th grade. Full orchestra Music Man where like a full band comes in at the end with 76 trombone, like, but really talented people. But like, and And when I was in 8th grade, infamously, with all my friends, I was Mother Superior— born at 50— Mother Superior in The Sound of Music. And I have video and, like, many photos of me looking into the shaft of light like, "Maria, you shall be led forth with peace." Climb every mountain! And it's like my pubes have not come in. And I'm like the oldest woman. I am the oldest fucking woman. And I'm looking like this earthy matron just singing in my nun outfit. I hear that you claim you should—

Yeah, you do have great nun vibes.

That would've been in other eras for sure.

But you're too— You love sex too much, babe. You can't do it. You can't.

I should've done the nun thing. Oh, wait, I did. Hi, Sister Christine. She's not a sister anymore. Wait, I was gonna try to drink that like a cat.

You claim, you claim that, um, you're an alto, but I— are you— you're not an alto.

I'm an alto, and then I can do like soprano as a joke voice. But I, I was talking to Anna about—

Anna Gasteyer about this at some point. What is joke voice? Like, joke voice is voice.

Like, you know, well, I mean, when you sing high, like alto— I'm a big blender. I love harmony. I love harmonizing those new things where where you can go and just for the day harmonize with a bunch of people. I weep when I watch them. Like, where you can go in different cities, and they have that group that you learn it in one day, and then you go and they're all singing, like, the song from Rent, and everyone is just walking around with their parts, and they're singing. That's my joy of all— I grew up with a lot of choirs, a lot of show choirs, a lot of groups. And I love to harmonize. So, when I did Girls5eva, and I was with these, like, insane singers, like Sara Bareilles and Renée Goldsberry. And then Busy Phillips was a great singer, like secretly. And then we would sing. It was just like to blend and sing with them.

What have you been listening to lately?

Um, I'll just— every so often I'll listen to, you know, I'll listen to Company, 'cause I did a parody of that. Oh my God.

Let's talk about that for a second. We're all over the place, but it doesn't matter. You did a documentary now, For people who don't know, Documentary Now! was a bunch of fake documentaries that Bill Hader and Fred Armisen and Seth Meyers did. Brilliantly did. And John Mulaney was in some and wrote some. And there was a very famous one based off of the film and musical Company, the making of the Broadway album. Yes. And you guys did one called Co-op.

Co-op. Co-op: The Musical. And it was of the era. We were in that era, and I was in Elaine Stritz's role which type. And it was based on an actual documentary that was very iconic, black and white documentary about the night that they recorded Company cast album, which was a hot mess, but then it turned out incredible. And I listened to that, and when I got to do that with them, 'cause they were all fictional songs, but like Sondheim actually heard them and talked to Melanie about them and was like, "I love—" You know, 'cause it was— Oh, he did? I didn't know that. Yeah, he watched. He went to some screening of it and then talked to them, and they all, I think, met him.

Him. Like, kind of— he kind of gave his blessing. Like, these are good.

And he gave his blessing because they were such well-done songs. Eli— Eli Bohlen was so good at writing the, the music. And, and the— they're so funny. And, you know, Seth wrote some of those songs, but they're, they're all so funny. And just— I, I just love being able to sing and emote at the same time. Like, any musicals that I grew up with, I loved the ones that you could just be in the, you know, one of my favorites. I'm not gonna, I know you probably, do you have to pay for songs?

Well, I mean, I feel like we should.

I could do what we used to call at SNL, a soundalike.

Let's do a sound, but you can sing the regular.

So like the song, "Losing My Mind" from Follies. It's like, it's those kind of songs that like Liza Minnelli would, you know.

So can you sing part of it, the real thing, and then show people what a soundalike would be?

It's one of the saddest songs on earth. The sun comes up. I think about you. The coffee cup. I think about you. You said you loved me, or were you just being kind? Or am I losing my mind? Damn. Gunshot. Um, sound effect.

Okay, now can we get a sound-alike, please?

So, we were gonna sell, and then they were like, "We can't do that. You're gonna have to do..." So it would be like, "When I wake up, you're in my mind. When I wake up, you're not here. My heart's cracking. You're in my mind." And then we were just—

Just off enough. Okay. Florida, affectionate Florida. You get there as a high schooler, you go to Disney. Yes. You work at Disney. I work at Disney. How did you get the job at Disney, which is a job everyone must want?

I got my degree in theater. I left University of Tennessee because I barely finished. I did finish.

But that's really interesting because you're such a good student and you're so smart and studious. I was also a theater student.

Okay. And I— it was the '80s, and my best friend, James Anderson, who— who wrote at SNL for 20 years and wrote every funny thing you've ever seen. He and I were classmates, and we were gay, and we used to go to the gay bars and dance all night. And then we would do plays constantly that rehearsed all night. And then we would have, like, a 7 o'clock biology class in the morning with no parking. So, I was always making up incompletes all the time. And my parents came for my graduation, And I looked for my final— I went to the hall of science to look at my final, my final grade the night before they all got there with my grandparents and everything. And it was an F. And I called James crying, and it was pouring rain in a phone booth. And he goes, call the teacher, it's 11 o'clock at night, but call the teacher. I called the teacher and I just blubbered, and he ended up giving me like a D or a C, and I graduate. I had to write a paper that night, had no sleep the night before my graduation.

I wrote a paper called— that I still look for in boxes— called, plagiarized 100% from a bunch of stuff cobbled together on microfiche, and it was called "Galileo: The Courage to Wonder." And I came up with this theory because I read one line that he said he had a frog hot relationship with his dad or something. And I was like— And it was just all about his internal world with his father and all this shit.

Oh my God, Paula, I did not know that, that you graduated by the skin of your teeth. Would never have guessed that.

But I got to Florida, you know, was broke as hell. A lot of my friends went to New York, like James, to have the dream. And I went back to Florida, and then they built Pleasure Island. And it was this nighttime, crazy '80s, giant, like, phallic island of clubs for the adults. It was brilliant. It's like your kids are here and you're sick of them, and you want to go out and let it rip and get drunk with your wife and make out. And every night was New Year's Eve. So every night at, like, right before midnight, all the drunks from all the clubs and the theaters and the Comedy Warehouse, which was improv, all of them came out. And then there'd be these hot dancers, and then they'd have confetti. They'd do a big countdown. It was like Times Square. And it was so '80s and so good. And so, I ended up being in the original cast of The Adventurers Club. So, I was Pamela Perkins, once again, a matron, a comedy matron. I was 22. Pamela Perkins, the president of The Adventurers Club. Congaloosh! Oh, the other fun thing about Pleasure Island was all these guys would come.

Now, this is when, after I got my heart broken, I wanted to have a baby. And I was like, never really been with a man. I've been a little bit here and there, just a little sneaky-weaky, whatever. Yeah, touchy-wetchy, pokey-wokey, but like nothing. Yeah. Haven't had the full girth. Right. And so I was like, you know, maybe I need to go down Penis Avenue. So I at that club, they'd let the employees party after work. Oh my God.

That's what I was hoping.

So, that's the last 2 hours. Yeah. So, when the club would close, we had, like, at least an hour and a half to go to these other great bars right there. So, we'd be with these cute-ass boys, and we'd just be like, you know, a bunch of cute Brits or cute, like, Irish boys. And now, I looked literally like B.R.— You know, like, I mean, I had, like, a bouffant, and I'm like, I'm like, "You wanna meet us over at the thing?" And then I would go in the bathroom and I would like blow out my hair, long hair. I'd take all my hair down. I'd put a bunch of make— I'd put a bunch of makeup. I'd come out, I was still fat, but I would put all the other stuff on, bring the eye up, put earrings, lots of stuff up here. Look at me up here. And then I'd show up and then I started fooling around with these guys that were like these fun, like there to have fun, you know?

And they were like, "She's so cool. She doesn't even really seem into me." I'm like, "So into you." And I would fool around, and nothing stuck.

Yeah. Except the semen. No, I'm kidding. But like, nothing, you know. Yeah.

And so Disney was like, felt like a training ground for you.

Yeah, Disney was every night you got to have a large group of people laugh at what you did. Even if it was like stupid that night, or you weren't feeling it, or you weren't. It's that energy that we all love, that we loved at SNL, that we all craved since we were little, that we do shtick in front of our parents on a couch. You got to hear humans look at you and go, "Oh, she's really funny." They'd laugh at you. And then I went over to work at Murder, She Wrote, the post-production show during the day, for my next job. I moved out of Disney, and I just did part-time there. And I pretended I was a— like in these wheels, I pretended I was— in some of it, you're an editor, and it was all about the making of Murder, She Wrote. Throat. And I would talk to Jessica Fletcher on the screen. So, I'd go, you know, it was all timed. So, it was like fake, but, you know, she'd come in and go, "Oh, dear. I think we're going to do this episode. We better go. There's murders to—" And I'd go, "I know, Jessica.

Well, we're gonna make sure that we're gonna—" And you'd have to talk. And one day, I was so hungover that I looked up at her, and I turned, and I went, I said, "Let's see what big old Jessica—" I go, "Let's see what big old Jessica has to say." And then I turned like this, and it was just like, I could not stop laughing. Like, my whole— I missed like 3 cues. So she was just talking with like 10 seconds in between because I was just like— Hangover church singles. This. So that felt like a step up. That's where I got my SNL job.

Okay, so that— How do you go from talking to Jessica Fletcher, to get auditioning for SNL. Yes. Because I—

that year, all those talented people that worked for Sack Theater, that also performed at Disney, were great writers, great performers. And I— they had a theater, and I would go and do characters at their theater sometimes on sketch night. I wasn't an improviser. I was a— you know, I never really have had improv training ever in my life except theater. Sure. Um, but—

And every day at Disney.

That's true. So I did these characters, and then that got to SNL. Wow. And then I'm sitting in the dressing— I mean, green room with all the people that worked at Murder, She Wrote post-production. And I was sitting there waiting for the next— them to load the next audience. And everything was a corded phone, of course. And it was like, "Somebody's calling you." And I answered the phone. It was my local agent. That I had done commercials for and stuff. And she was like, "Are you sitting down?" And I said, "Yeah." And she said, "Lorne Michaels wants you to come to New York and meet him." And I was like, "Is it— What is it? Like, is it an audition?" 'Cause I mean, spent my whole life, you know, tape recording SNL, doing Rosanna, Rosanna Danna in high school for my school assemblies. Like, I was so SNL. And they were like, "No, it's not an audition." I was like, "What is it?" And I just got off the phone, and they flew me there that week for 2 nights or 1 night. And I just got there and was terrified. And I went in, he was like 2 hours late.

And I sat down with him, and he started talking like we had been talking already. Like, he started in the middle of a sentence. Like, "That's why the show is, you know, a phoenix rising, and this year we're gonna rise again," and blah, blah, blah. And I'm like, like rising above my body. And at one point I remember saying to him and Steve Higgins, I am a lot more boring here than I usually am. I just remembered like calling out because I was so scared. And so— and he had already dissed my, you know, telling him I'm from Joliet, so I was a little off.

You were basically hired without knowing, and no one told you you were hired, which is what SNL does.

So then they just said, I think I think we— And then I left.

Lauren notoriously does not hire or fire.

And then I called, and then they, you know, Steve Higgins was like, "Okay, we'll figure it, you know, we'll call you. It has to be in about 4 days, 5 days." I went and gave my cats and my dog to my mom and dad. I ran and called, like, it was the most— I remember crying in a closet and calling my nieces and nephews and crying and being like, "I don't know." And they're like, "Can you take us to the opera?" Like, they didn't know New York City. It was so exciting, but it was terrifying. And I remember my mom just finally looking at me and going, "What is the worst-case scenario?" And I'm like, "I fail at a place that I've worshiped my whole life." And she's like, "But then you do, and you had the experience. You got to go there." Wow, Paula.

So, they saw your characters, and they were like, "We want her as a writer." They didn't really make it clear why you were coming in, but you knew you were coming in for writing and not performing. But you were a performer. What is it like to— And obviously, you're a performer who's writing all the time. You're creating these characters. But back then, especially, I feel like the lines are way more blurred now. But when you get to SNL, you kind of get put into a category. And you were put into the writer category, even though you're not. And you are this super strong performer who's been performing. So what was that adjustment like?

Well, I don't want to assume, you know, I've heard here and there little things, and who knows? 'Cause we've all been in there when they're picking people, and it's so random. I mean, not random, but there's reasons that you don't think are the reasons and all this. But I do suspect that I was a big lady. I was a big plus-size person. There would— there was— there was just not that in any TV anything. Like, there wasn't, you know, there were starting to be Roseanne Barr-like people that had more real-looking bodies. But I was just not of the esthetic of that place whatsoever. This was late '90s?

Mid-'90s. Mid-'90s. So it was '95.

And I just, I do suspect that it wasn't even like, "Oh, no, but her writing.

I like her writing 'cause that fits with us." Did you ever talk to anyone at the show about that specifically, or like—

I mean, I really was such a good Catholic girl, of a rule follower when it comes to— when a show actor who— because I had only acted. I got there and told them, "I'm not a writer." Even though I'd written, like, short stories and different— "I don't know how to do any of this." I really— I was so afraid to ever show any desire to perform. And it's why I'm so gloriously happy to be able to perform later in my life, because I finally let that out of the cage of that shame. The shame. The shame.

And it also— And also the shame and the shine right next to each other. Yes.

Ooh, I like that. The shame and the shine.

The shame and the shine, because you might've been feeling that, right? Like, I just wanna be grateful for what I have.

Mm-hmm.

But your shine just, it, without you even trying, like it could not be dimmed. Like you there, you became the performer that you are now because it was such a strong, undeniable thing. People put you in sketches. Because they knew how funny you were. You were funny in the room. You just, like, without— to your point, you didn't say, "Fuck this, I'm not gonna write. I only want this." You took the opportunity, you did an incredible job writing for other people, and you slowly knew and believed in yourself, and others saw what kind of performer you were.

Well, I felt like everything— and it was a bigger picture of codependency and caretaking, that in my life, in my whole life, I was making the pie and then giving all the pie away.

Okay, so for people who don't know, who are listening, and we talked about this a little bit with Anna, and we've talked about it with Rachel, and we've talked about it with Tina, and we talked about it with Seth, and we talked about— But like, Paula Pell has written some of your favorite sketches, including Bobby and Marty, the culps, including Debbie Downer, including the cheerleaders, including—

With those actors.

Of course. Of course. But the actors get all the credit. They do. They always— It's like whoever is saying the lines, people assume that they've written the lines. And as we— I mean, people understand that there are writers on that show, but the public-facing cast always gets the first kind of love, amount of love. Appalachian Emergency Room, Tony Bennett talk show, all this stuff. When you're writing, what was the first time you wrote something and you were there where that terror went away a little bit, where you thought, "Okay, I might not get fired.

Okay, I'm—" Well, there's two kinds of terror because I was in that era of— of recurring characters. And I was lucky enough to get in that first year with Will and Sherry for Cheerleaders, and with Anna and Will for Bobby and Marty. And they were so up my alley. I was the person that tried out every year for cheerleading, never ever made it, worked on my back handsprings in the summer, and then I would— 'Cause I was fat, and I would stand with holding everyone's purse during the basketball games, and I knew every cheer, and all my friends were cheerleaders. Like, all of them were on the squad. And then I'd be up there like a dance mom. Like, but once again, matron at 12 going, you know—

And gathering them around to talk to them about life.

Do you need a cough drop? Do you need a cough drop? And so the idea of— I loved writing joyful losers. That was my favorite thing, is someone who is joyfully living their life, what they wanna do. And that— because when I read that journal, that's what I was, you know? I got a new— I got my rock tumbler and I have— I changed the grit and my amethyst is looking gorgeous. My God. And I was like a Victoria, like a crazy broad as this little person, like talking about what lights me up, my plants, my stuffed animals, all those things. And when I got there and met them, they were my people. Like, I would cry laughing till 5 in the morning writing those things with them. But the other thing you have to get there is to prove that you're actually good by yourself. And that is a terrifying thing. 'Cause you can always hide behind those characters that once they're a hit, you got that to ride on. It's the best thing ever. And my very first one, I remember, was doing Wilford Brimley with John Goodman. And I wrote it. I used to do this thing where I was the last one almost always at writing nights.

Yeah, so Paula stayed the latest. So one night I wrote it, I wrote John Goodman as Wilford Brimley, and he was on a fake horse. And because it always used to make me laugh when he was a big guy, and he would— I mean, Wilford Brimley was a big guy, but then he'd do this commercial for this, like, health stuff, and he'd be like, "I take care of my blood sugar." And I was like, "No, you don't." And so, I had him say, like, you know, "I take care of my blood sugar." Well, I don't. And it was just this slowly descending conversation in this commercial, And John was so funny. But it killed at the table. It absolutely killed. And it was the first time I could really look and go, "I deserve to be here." Because I didn't feel like I deserved to be there. I didn't think, you know, I would— And then, if I was writing with other actors, it's like, "Yeah, but they're so funny, and they're so good." And that was the first time I said, "You are a writer." Like, you sat down and you wrote words that no one else saw 'cause they all went home.

And they could read this. I mean, they read this and they laughed. How long did you write for SNL? I wrote full-time for like 18 years, and then I started slow— You know, I did that slow exiting out where I did like— I came to Lorne and was like, "I'm gonna do half the season spread out." So I would do like 1 or 2 shows, then I would have a break for a while. It was really trying to get away from the team.

And he didn't want you to leave. It was slow.

And Lorne, you know, one of the things I love the most about him is he doesn't want people to— He doesn't want his family to leave, you know? And then we—

Do you know that you are the longest-tenured female writer in SNL history?

Female? Oh, yeah. 'Cause I was gonna say James beat me by 2 years on the writing side, but yeah, female. That's really nice. Isn't that cool? Why haven't I gotten a plaque for that?

And before I get off SNL, 2 things. One is Debbie Downer. Yes. Most fun ever.

I mean, that first Debbie Downer is— we've talked about it— the antidepressant of all antidepressants. I remember us all standing in one of the dressing rooms, just looking up at the screen, and just, we could not believe. It was like a House of Cards falling down, but it was the best House of Cards. And we just wanted it to go on and on and on.

And I mean, you created a cultural language. Like, people use the term Debbie Downer now as if it was just—

It was on my soaps the other day, and I was like, "Good Lord." It was?

What soap are you watching right now?

All the CBS soaps. Love them all. If you ever want me on there, would love to do an hour.

Oh my God, Tina, you should definitely be on a soap opera.

That would be so fun. That would be so fun.

Okay, so we've worked together on so many things after SNL. We worked together on Sisters, an incredible movie that you wrote that is like kind of—

You guys were incredible.

And me and Tina got to play some versions of you and your sister and—

And read my actual journal in a bathtub. They were in the bathtub reading pages from my actual journal.

It was beautiful and so fun. And that shoot was so fun. With Ike and John Cena, your buddy who loves— John Cena. He loves you.

I love John Cena. I know. I see him to this day. I have a couple ideas for John Cena. I'm gonna hit him up for— I have some—

He is— He just— And that shoot was just— And Kate. There were so many fun people that came in on that. Diane Weiss and James Brolin.

James Brolin playing my parents, and—

Do you want to tell the story about when Barbara came by set?

So, my mom has lived— Lived to, like, worship Barbra Streisand her whole life. I took her to the Millennium concert that was supposed to be Barbra's last concert. And that was at the Milan— That was like 2000, whatever. 2000, right? And I spent all this money to fly her to Vegas to go to that concert at, like, New Year's Eve. It was this huge surprise. And I took her. And then she comes to Sisters, married to James Brolin. She comes to Sisters, sisters the day before my parents came to set to visit from Florida. And if I would've known, I would've, like, immediately flown her there. But, um, you know, I sent pictures, which is, like, great. She looks cute from this blurry picture.

I don't know if you remember, my parents happened to be there. And in a different way, you're flying my parent— You're flying your parent, your mom out to Vegas. I'm always telling my parents, "I'm not gonna fly you out to Vegas." Okay?

I'm doing the opposite. Vegas is there are Streisand.

Well, they're always like, "Why don't you take me to the Academy Awards?" And I'm like, "Relax." So, my parents arrived on the set, and my mom was like, "Ooh, James Brolin is here. I wonder if Barbra Streisand's gonna show up." And I go, "Barbra Streisand is not gonna come to our set, Mom. Give it a break. Like, let it go." And she just came to visit. She is.

And she was the cutest.

So cute.

So cute. And she— I just remember whenever I would get up to go to anything, she'd go, "Are you going to the bathroom?" "Are you going to the craft services?" She goes, "Just give me a little plate of something. Just give me a little something. I don't care what it is. Just a little something." And I'm like, "That's fucking Barbara Streisand!" I mean, A Star Is Born with Christopherson and her is like, I know every moment of that movie. I used to lay on the shag carpeting and bawl and sing to that movie. And not bawl sexually, like bawl. B-A-W-L.

But we've worked together on Wine Country, on Parks and Rec, on Sister, You have been more and more, like you said, in front of the camera. You got a new show on Peacock called The Burbs. Yes. I'm so excited. Yes. Which looks so fun. It's so fun and creepy. Tell me, like, what— You love to be part of an ensemble. I mean, you are a leading lady in every way, but you also love that juicy ensemble thing.

And Keke Palmer— Keke Palmer leads the pack. Ugh! Julia Duffy. Mark Proch, Kapil Talwalkar, and Jack Whitehall, who is also in the movie we're shooting that Janine and I wrote. And they are so funny and so weird. Like, their characters have so many twisty, weird secrets. I've never done this kind of genre. I've never done a mystery, murdery, like, some things are serious, some things are funny, you know? Because that— We grew up with comedy or drama. You know, you were either watching ER, or you were watching— There was no— like in between.

Can we talk about Kiki for a second?

So unbelievable. We just did the press, press for it and the premiere for it, and she can just, she can just lead anything and just be the kindest, funniest, most energetic. And then she's like in hair and makeup getting like elaborate stuff done while she's doing like a podcast thing, also talking to a choreographer about a music choreography for the music video she's doing for her album that's coming out the next week. Like, I would just look at her and go like, I get exhausted. And a 2-year-old child. I know. She's a pro. She's so great. I was getting my hair blown out and I— a couple of weeks ago, and I just looked up at the TV and they play the, you know, they play the movies on the screen at the hair place. And it was her in Akeelah and the Bee. And she just had little braces. And she was just— and she was such a great actor. I was just watching her do this whole monolog, and I'm like, "Oh my God, she was just cooked when she was born." Like, it was just came out cooked.

I don't wanna skip over the fact that you were getting your hair blown out because I would say that next to Tina Fey, and not a competition, but I'd love to have you both in here, and we can touch your hair. You have the best hair. You have incredible hair.

Thank you very much.

People should know this is all your hair. It's all my hair.

I took very good care of my hair because because when I was plus size and in that era, this is not like a pathetic fact, it's a true fact. If you had good hair, it was like something that you could use because there were, there was no good clothes. It was like big shirts and leggings. That was all you had. When I was young, all the pictures of me, if I ever felt good about how I looked, it was always just right, right here. You know? Because everything else I wanted to, forget about.

What is your relationship now to neck down? Um, it's good.

I lost some weight this year for health reasons, a little bit, like 25 pounds, and it made me feel a lot better because I have knee replacements, so it was much better for that. But I, I lost 100, close to 100 pounds, 3 times in my 20s, and it really devastated me because I gained it back each time. I gained it back more. It was such a racket, all those diet things were such a racket. I would go into deep depression, which I'd always struggled with. I would go into that cycle of like, suddenly people want to talk to me because I'm skinny, right? Pretty looking. And then like, and I'm not funny. I was not funny at all when I was skinny, right? And so that's the only reason that I eat cream cheese on Pop-Tarts now, to stay funny.

But, but now I feel like, I mean, well, I think you speak I think you're speaking to a lot of people who are listening who understand, and you're really honest and very compassionate about how that can be a lifelong struggle.

Yeah, and I have been on the shot. I've been on the shot this year on a very microdosed way that helped me a lot with inflammation, pain, everything. And it got me, I had kept gaining again, and it got me down to this kind of like, I just wanna live a long life. And so I'm now, it's not about, 'Cause I have a younger wife. She's 22. She's not.

She's 42. Gorgeous, sexy wife, and you're so in love. Jeanine Brito, a hilarious writer, actress.

Incredible writer, incredible person, incredible performer.

I mean, Paula, your relationship, for most of us that know you, felt like not only a miracle to come into your life, but just like— It was a miracle. —aspirational for us to think about wanting to have a partner.

It was a miracle, and it taught me it's helped me truly to stop always, you know, not believing that the happy ending can happen. And that's why I'm— The world is dark right now, and I still, no matter how sad it makes me, I wake up and I go, "It will right itself. It will right itself." 'Cause that's the nature of life. It's— You look at nature doing it, you know, there's a disaster, and then there's the green coming up. And I really do believe that, and that I saw it in real time. With finding her?

Well, when we were trying to figure out who to talk to about this podcast, who we should have talk to about Paula, like—

Is it Michelle Obama?

Close. But no, but we were like, we have so many— I want you to know, I know you know this, but I just want to say out loud, like, I can think of a dozen people that would in 5 minutes' notice get on a Zoom to talk to me about you. But we decided to go with your newest best friend, and that was Kim Kardashian.

I'm the new spokesperson for Skims. She, she's size inclusive. She is. She's a sweetheart. Boy, what a joy. The hell out of her.

I know. And I really wanted to talk to Kim because two things. I don't know Kim, but I heard her wanting to talk to us about you. I was like, I love this lady because people who people who love Paula and people— I'm speaking about you in the third person— people who love you and know how funny and talented you are, to me, I'm like, "Okay, that's a smart person who's paying attention. That's a smart person." And I remember you saying that you worked with her, or you started to work with her and her mom, and you were like, "She's really fun and easy to work with." And you guys are doing a movie together.

We're doing a movie together. We're mid-shoot. We're, like, about 2 weeks in. And it's with a bunch of other comedy— It's a bunch of comedy ladies that we all know and love. Um, Fortune Feimster, Nikki Glaser, Kasey Wilson, Brenda Song. Um, uh, and she is so blending in with them in this group. And it— Just her existing was like an inspiration for it, 'cause we knew that she wanted to do this kind of idea. And we were like, "What would, if Kim was just a normal person with a normal life and normal, you know, living situation, um, and she was around girls that she grew up with, like, what would be that thing?" And anyone I talked to, including Lorne Michaels when she hosted, were like, "She's really nice." You know, there's— the fame is always equated with someone's an asshole. And that is often true. And our next episode, which is only a few weeks away, available. Yes. On another website. Um, the two of us will list those to you. But what I love the most about her is she's an extremely kind, gentle person, really doing a great job playing her part.

Um, what I love the most about her, after all those years at SNL, having all those hosts, is that she is always aware of what she's really good at and what she wants you to be great at that she knows you're good at. That's a good skill. And it's like, let's meet, let's meet and do something fun. And that is so valuable to me at this age because I just can't be with people that think they can do my job better than me.

Oh, Paula, say it again. I can't do it. Say, Paula.

I cannot be with people.

Paula, I'm gonna put the chair around while you say it.

Say it again. I cannot, yo, yo, yo, yo, yo. Yo, yo, yo! I cannot be with people who think they can do a better job than I can in the situation that we're doing right then. Now, they might be just as good at something that I'm doing. I'm not saying I'm better than them. But when people come in, when a host would come in, and they have never written something in their life, and they're telling you how to write the sketch— I have done that so many times in my life with people, and I'm so spiritually exhausted with it. And the first time we met with her, Jeanine and I, We came up with it together, drinking, eating soup on a winter day. And Jeanine and I just started, like, spinning it. Like, "Wait, what if this? And what if this?" And then we really loved it 'cause it had a lot of heart, and it was about female friendship, and it was— We were like, "Oh my God, I love this." We ended up, like, Zooming with her. She came there. I thought she'd have, like, an entourage of people with her on the Zoom, a lot of squares.

It was just one square of beautiful Kim Kardashian just going, "Hey, guys." You know, just being a lovely person. And she's been so great on the set. We have had so much fun.

You're absolutely right. People who know what they're good at and also like working with people who are good at what they do, that is a skill. And also, you know, it is— When we were talking to her, one of the questions she has, which is such a sweet question, is— It also told me a lot about her, about maybe what I sometimes forget, or hopefully don't take for granted, but sometimes do, which is, she was basically saying, "Do you think Paula is feeling the magic, the sparkly magic of what we have like I am?" You know, it was basically like, I'm— And she basically said, "I'm having such a good time. I'm like, I can't believe I'm there. I'm new to doing comedy, but I've loved it forever, and I'm having fun. Is Paula having fun?" Like, it was such a great moment.

Sweet, cute question. And the answer is, "Hell yeah." And I am in a no-asshole zone of joy now. This is our only weapon, is joy. That's the only thing we can do now. Okay.

And so, the other question that Kim had was, "Who is someone that you like, you know, is so hilarious that you can barely get through a scene with them?" Like, who really tickles you?

I like that old-time, true classic. Sick, like, without the meanness under it.

Well, I feel like I saw you do versions of that all the time. And what comes to mind is especially in Lauren's office, where we would have this big meeting where between dress and air, or after a read-through, where all of us would be packed in, and Paula would come in, and you'd just do some version of that with Lauren. And he would just— He's kind of a quiet laugher. He would laugh like this. And you don't see Lauren laughing at comedy. I mean, when you're in comedy, you almost can't laugh anymore.

You're tired of it.

You're almost— And no one would make him laugh harder than you. And Paula would put 2 oranges in your bra.

Yes. I would always— He had oranges always in a bowl, and his little tangerines. And I would always put oranges in my bra, or I would— I've done a lot of things with orange.

And there's a picture in Lauren's office. Do you want to describe what that picture is?

It's my 1980s headshot. Shot. And I think it's one of the times that I lost a lot of weight. And it's just that dreamy— it almost looks like an '80s soap star.

Yeah, it is very soapy.

And I have my hair flipped, and I have a very metallic, almost like alligator print, like, which now would probably be a beautiful outfit, 'cause everything has come back, but it's very '80s. And I gave it to him. I framed it in a very heavy, like, crystal frame. And I wrote on it, "I'll never forget our time in Saint-Tropez." 'Pay,' and it's just this woman heavily filtered looking off. And he has it over by when everyone's sitting there picking the show. It really does look like his own— it looks a little like a corpse. It's just like this.

But, um, when you're new to the show and Paula would do that, it was like watching— I mean, it was like, it was like watching, uh, How would I— how do I describe this? It was like, honestly, it was thrilling. Honestly, it was thrilling to watch a woman come in and just make the big honcho laugh. It honestly, Paula, it made you feel like, oh, maybe he will think I'm funny. Like, it— it— you being fearless in those moments and earning all the laughs and being the funniest made everybody else feel like, oh, there might be room for me here. Like, there might be space for me here.

I mean, if I analyzed it, I probably was always trying to get him to know that I was performatively funny because I— that was something I hid. Sure. And so for years, it was very painful for me to be in rooms and just be very serious with him. And while we worked on that and I put the joke in, okay, "Great. Thanks. Thanks, Lauren." And just walking out, always very contained. And once I broke through that with him, I felt much better about that. "You know what? I didn't get to be in the cast here, but, like, he knows that I'm a funny person." And Paula, it's really interesting, as we started this interview, like, Midwestern girl doing the right thing, you broke—

you keep breaking social protocol, and you did it in that office at a time when we were all watching. Watching, you really did keep breaking barriers for us that did make it feel really safer and safer for us in every way. And you still do that.

I hope so, because now it feels so much better. And it— I mean, all of it is— Sure. Some's worse, some's better. But I do feel like in comedy, the women in rooms— When I go to SNL now and I see the writing staff, I'm like, "Oh my gosh." Incredible. "It's so much more diverse." And like, there's queer people, and thank God. Like, it just makes you feel so much better. And one last thing I just wanna say about who makes me laugh is Jeanine is one of those people that I never thought in a million years I would ever be with a comedy person. My ex was not a comedy person. Lovely person and funny, but not by trade. But she makes me laugh in that stealthy way that I enjoy so much.

I mean, the two of you guys are so matched comedically. I've never— 'Cause sometimes, you know, people are like, "My partner's so funny." And you're like, "When?" Now we are at 3 hours. Okay. As you requested. Yes. So I have 2 last quick questions for you. One is, how are the dogs? The dogs are great. How are the cats?

I haven't seen them in a month and a half. Jeanine just went home to see them. We have an old donkey, a very big white horse that I used to ride, Verbena, and 5 dogs, one in a wheel cart, and who hauls ass, little tiny paralyzed dog, and 3 cats.

3 cats. And, and, and they're all—

2 snakes. I'm not done.

Um, 2 snakes.

I was like, when did you get those snakes? I can't get other, other classes of animals because they'll start eating each other. Reptiles are a whole thing. Yeah, well, I couldn't feed them the live animals.

Exactly. You have to start—

and birds, I hate cages. I love birds, but I can't unless I can afford someday an aviary of rescue birds where I can walk in and they can all land on me.

Like, and you don't want something that's going to outlive you, like a parrot will outlive you.

That's true. Well, our donkey could live to be like 50. He's old. He's older now. But like, I— we, we were like, our old horse, we're like, let's get her— she lost her partner horse— let's get her a little donkey. We'll adopt an old, older donkey. And then the donkey's like 18. Oh, how long do they— 50 years? Oh, 50 years. We get the rescue old dogs all the time, and they'll, they'll call and they'll go, you know, we did bring her to the cardiologist, and, um, Noni is, you know, Nino is actually gonna probably not make for a few weeks. Do you still want him? Of course we want him. 1,000 good days in one day. Like, let's just give him a great end of his life. He lives like 7 years because he's too much expensive medications, too much love, too much love and medication, which is the name of my— too much love.

And then the last thing is, let— I want to find a public domain song that we can harmonize to. Yes, you're so good at it. Okay.

Oh my God, I love it.

What's a good public public domain song. Let's see, that we, we don't have to—

that is Amazing Grace. Yes, it is Amazing Grace. Okay, we have a good one in that. Okay, Paul, that's a high. Amazing.

What one should I sing?

I'll do the higher, so you just sing the melody. Amazing Grace, how sweet the sound that saved a wretch like me. I once was lost, but now I am found. Was blind, but now I see. Was great. That dog. I had. It is so good. We did not rehearse that.

We did not.

It's not public domain. Great.

It's getting cut. What is it? It costs $150,000. Okay, great. We're gonna cut it.

I will put $20 towards it.

Paula, I love you so much.

I love you so much. I love this show. It's such an honor to be at the, at the table with you. You're the best. This is like— I love watching this and hearing it. It's a big honor. It's a big honor.

Paula, love you so much. Thank you.

I love you for everything.

Paula Pell, you're just so fun to be around. Thank you for doing that. And, you know, for this polar plunge, there's just so many things that Paula mentioned that she wrote on, great sketches that you should check out at SNL if you're looking to laugh. But I wanna remind you about a little YouTube show that she did, not little, big, a big YouTube show called Hudson Valley Ballers that her and James Anderson, another writer at SNL who was mentioned in this, interview worked on. And Paula and James just play two jerks, two funny, lovable jerks who live in the Hudson Valley. And, um, there's a lot of really funny cameos. Um, stupid people being with other stupid people doing stupid things. So check out Hudson Valley Ballers if you haven't checked that out, and check out Paula on The Burbs. And, um, keep, uh, uh, listening to Good Hang. We love that you're here. Thanks for being here, and see you soon. Bye. You've been listening to Good Hang. The executive producers for this show are Bill Simmons, Jenna Weiss-Berman, and me, Amy Poehler. The show is produced by The Ringer and Paperkite. For The Ringer, production by Jack Wilson, Kat Spillane, Kaya McMullen, and Alea Xaneres.

For Paperkite, production by Sam Green, Joel Lovell, and Jenna Weiss-Berman. Original music by Amy Miles. I am the one who wants a really good hang.