Transcript of Moment 192: The Fire In The Booth That Would Have Destroyed My Brand: Charlie Sloth

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Go to linkedin.com/doc24. Terms and conditions apply. Here's Charlie. When it comes to building a brand that has integrity

Yeah.

What matters? You know, this is a brand. Yeah. And and I think in a lot of

It has integrity. But I think because you have integrity. I think because you have integrity, you install your morals into the brand. And this brand is a reflection of you. I feel like pretty much everything you do speaks about you as a person because I feel like I'm the same.

I feel like if it challenged my morals, I wouldn't wanna do it because I'd be like, well, that's it's not a real reflection of me. Why am I gonna invest my time or my money, my energy into something that doesn't represent me. And I feel like my team, you know, I have an amazing team. Do an incredible job of managing the expectations of all of the brands that I'm involved with. And I don't even have to say it no more.

If I if if I feel like something's wrong or it's not gonna work, it doesn't look right for the brand, they know before it's even come to me because they know what my morals are. They know what I stand for, what I don't stand for, what I feel is right. So it's got to the point where I don't even have to have those conversations because I have such a great team who have those conversations for me, and they protect the brand. I feel like if something goes wrong with 1 of the brands, it's a reflection on me. And something that I've always believed is 1 of my biggest assets is my reputation.

I feel like you may not like me. You may hate me. You might find me annoying. But 1 thing you can't challenge is my reputation. I've never done any 1 day ever.

I've never backstabbed anyone. I've never said I'm gonna do something. I've not done it. And my brands have to hold up that same ethos.

In order for your team to know what decisions you'd make before, you know, it even comes to you as it relates to the branding, the positioning of it, and all those things, that must first start with you being really, really clear. And what I've got from all of that is because you're so clear in your head and non negotiable about what this brand is, you've been able to kind of like install that in all of the people around you. So now they are like disciples of the values.

For sure. Well, we we actually have a bible. Oh, really? We actually have a find a brief bible. A handbook to do's and don'ts.

And especially now because, you know, the vision of Finding the Booth has gone from being, a feature on a radio show to being a global brand. You know? Obviously, now we're of Apple, you know, 1 of the biggest companies in the world who I believe share the same ethos as we do in terms of vision, in terms of content consumption. And I feel like now the brand really is going global.

Everyone wants to know what's in that bible. What kind of things are in there?

I mean, it's you know?

Give me a flip.

It it goes from camera setup

Yeah.

To edits, colors to use, right through to, how artists are treated once they once they arrive, communication with teams.

1 of the things I found really interesting is I read that you deleted potentially hundreds of episodes of Fire in the Boof that just didn't cut it.

Yeah.

Which which I think a lot of people would be surprised by because, you know, a a rapper, an artist comes down, they perform, they might think it's gone off, they might think that, you know, they killed it. And then you're sat there thinking this doesn't meet the standard.

Yeah. I feel like, you know, I feel there's times when I've not really to find a booth, and an artist later on has gone on to thank me. Because, you know, it's a big moment in an artist's career. And I feel like if it doesn't do you justice, it's not about me. It's not about why I think this is gonna do well for the final booth brand.

Like, anytime I have a conversation with an artist and they say to me, do you think it's good? I can't sit there and lie to the artist's face and say, yes. It's okay. I'm gonna be like, you could do better. If you wanna come back and go again, we can.

If not, let's just park it off for now and come back to it at a later date. And there's been so many that have not gone out. But that's because I felt it's not a good reflection on them, not on the brand. Because no one's gonna, you know, attack the brand as much as they would the artist. There's 1 of the biggest artists in the world right now, Steven.

1 of the biggest globally, right, who come in to do a finer booth. And I can't tell you how excited I was for this moment. Even though it was a few years ago, they were still a big artist then, but they won us because they are now. And they came in and done their final booth. And, you know, we everyone was excited, and we're prepared for it.

And they came in, and it was possibly 1 of the worst final booths I've ever recorded. And I could see that the artist was quite excited by their performance. And, you know, there was, like, oh, when when when we're gonna release it? And in my mind, I'm thinking, is this just me? Is it because I expected here, and they delivered here, that I'm judging this?

And, they're talking to me, and their mouth's just moving. And I'm processing all this information in my head because I'm like, I don't wanna lie to the highest. I don't wanna be disrespectful to the artist. All this information is swelling in my head, and I was like, I wanna go back and listen to the final booth. Give me 10 minutes.

So I went back into the studio. We played it. And this is garbage. This is garbage. So I checked to the producer at the time.

I was like, how how's best to handle the situation? I don't wanna go out and say that this is not gonna go out. But at the same time, I wanna give them the opportunity to redo it while they're here, while they're in the country. And regretfully, I didn't do that. I didn't go out and give the artist the opportunity to do it again.

I was like, you know what? I'm just gonna say that it's not going out. And for me, that was a bad decision. I look back at that now, and it's a bad decision. But it just weren't good enough.

It weren't good enough. And there's so many artists that have come through and not performed. But, again, like I said, some that have called me and let it down and said, you know what? I appreciate you not putting that finer roof out. Let's go again.

Why do you regret that decision?

Because in hindsight, I could've given them the opportunity to record it again there and then. But because I had no faith in the situation, I was like, I'm not gonna waste their time, and I'm not gonna waste my team's time. I just think it's best that we kind of keep it moving. But now, on reflection, I should have given them the opportunity to do it again. You know?

And, you know, his comments all the time I've spoke about this before where people are like, release it. Release the fire in Abuf. This person is huge right now. We've got sign off on it. We can release it.

But I just wouldn't. You know, like, I'm I don't I don't do things for that reason. I'm not gonna shit on the artist now. We put something out that I thought was shit back then. Yeah.

I'll put it out now for views. It's it's counterproductive. It goes against everything that I say and stand for. So it will never come out.