Transcript of Haunted

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Hey, I'm Latif Nasser. This is Radiolab in your podcast feed A Day Early because it is October 31st. We're celebrating Halloween by bringing you a ghost story for the occasion. There aren't a lot of radio stories out there that will genuinely spook you, but also make you laugh out loud. And this one, oh, man, does exactly that. We first released it exactly 10 years ago today, reported by our now senior producer, Matt Kielte. This was one of his first stories, actually. It's about exactly how far one man is willing to go to understand his haunted house. This story is both a trick and the perfect fun-sized Halloween treat. Here you go. Happy Halloween. Enjoy Haunt. Did.

Mua ha ha. Wait, you're listening? Okay. All right. Okay.

All right. You're listening to Radiolab.

Radiolab.

From W-N-Y-C.

C? Yeah.

Rewind.

I think there's a lot of moments in your life that you find yourself doing something. Okay. If there's anybody in here, my name is Brittany. I'd love to be able to talk with you. And you take that moment and step back from it. Are you here? And you realize... Come through to us. What the am I doing? What just happened? Was this real? I think that was one of those moments.

Hey, I'm Chad Abunrad. I'm Robert Krowich. This is Radiolab.

And today on the podcast, A Ghost Story.

Really?

We're going to do a ghost story?

Yeah, it's Halloween, dude. You don't even know what word. Just listen. Just listen, okay? This one comes from our producer, Matt Kielte. Yeah, so I first heard this story from a buddy of mine. His name is Dennis Conroe. Dennis? Andy. Hey, what's up, dude? That's producer Andy Mills. You guys are all buddies. Total buds. Anyways, the story. All right. Well, Dennis. Yes. It's about a lot of things, but in particular, a house.

So let's start with the house.

When did you move back in?

Well, let's see. I was probably, I don't know, age 20.

Dennis had been going to college. Yep. By the way, what did you study?

Creative writing. Okay. But I just got bored there, stopped going to class. I think once my parents realized that, they weren't very happy.

I would assume so.

I was asked to come back home.

Back to a town just outside Kansas City.

Town called Grandview. Did you grow up in this house? I did. The house was-Fairly old. Yeah, it was about 105 years old at the time.

Two-story white house, nice little porch, awning over it.

Typical farmhouse style.

You were at your parents' home, back in your old bedroom?

Yeah, in my old childhood bedroom. There was always a sense of, I need to get out of this house. It's holding me back somehow from things.

So you got a job.

Worked a job and got laid off.

And one year turned into two, and then three, then four, and then five.

It was not a great time to be there.

In what way?

Just that I felt like I was still 16.

He says he'd overhear his mom telling people on the phone.

Well, he's never going to move out, is he?

Then she started circling classifieds.

Jobs for typists, printing press, sales rep, typesetter. I don't know. I think everything in my life. However, I mean for it not to move at my own snails pace.

Eventually.

He was fairly old, like 27, maybe.

Actually, he was 28. After eight years in this house, Dennis gets a steady job, finds this cheap apartment.

This ratty six-plex apartment.

He starts packing up his things. But right when he's set to move out, to finally leave home.

My mom got really sick.

Dennis's mom had been remission from breast cancer for nine years. But that summer, her doctors told her that it had returned.

And had spread quite a bit. So I said to her, Do you want me to be here or do you want me to go? And she was like, Well, if this is my time, she wants to go knowing that her kids can take care of themselves.

So Dennis moved out. And about five months later, His mom died.

Yeah, she went pretty fast. About a month or so after my mom died, my dad found out he had stage 4 prostate cancer. He was really too sick to take care of the house and just being a guy by himself at that point.

Now, Dennis pretty much had to come home.

I take care of him.

Three, four times a week.

As he got worse, he had said to me, Hey, let's try to find you a house to buy so that I can teach you how to do all the stuff that one has to do. That men know how to do things like change out plumbing, all this stuff. And so we put an offer on a house.

But that fell through. And before they could find something else.

The cancer from his prostate spread to his brain. And the last week of his life, he was really not there. I can remember one day, maybe a week or so after he had died.

Dennis was walking through the kitchen.

And there was so much stuff. There was so much stuff. Papers all over the place, junk mail all over the kitchen floor.

Down in the basement.

Tools all over the place. I had this moment of, here are his tools, and now I have them in my hands. And I just remember picking up this claw hammer and just crying because this is now my hammer. This is now my house. This is now my problem.

But a few days pass and he starts thinking, Okay, I can handle this. Yeah. Just got to get in there, clean it out, sell it.

Clean and flip. That was the plan.

So at the age of 32, moves back in.

There was all this just junk in the basement.

Puts that stuff on the curb.

Sale after sale after sale.

And one day, he finds himself standing in the downstairs bathroom looking at the nasty floor tile. It was just horrible. His dad had meant to replace it before he died, but couldn't finish.

And my thought was like, Oh, I'll just do this one bathroom so it looks pretty good to sell.

Problem was, his dad had never showed him how to do any of that stuff.

It was at that point that I was like, Oh, YouTube. Now hold the tile in one hand firmly and begin with your ceramic tile.

So he went online, learned how to tile, do some plumbing, and he redid the bathroom.

And it turned out pretty good. It was fun. And then the next thing I knew, I was taking wallpaper off of the kitchen. Well, that's got to go. Hardwood floors, insulation in the attic, glass block windows in the basement. And pretty Soon, that turned into the whole house.

How long did that take? Five years. Actually, it was six. Wow. He says the whole time he was doing this renovation, at night.

I would have these dreams where My parents just came through the back door, and it was just like, Oh, what are you doing here? Oh, that's right. You're dead. And then I would turn my back, and then they would have somehow undone all of the things that I did. Oh, they had brought the house back to what state it was in when they were alive. Yeah. I probably had this dream, I'm not kidding, at least a hundred times.

Wow. Night after night after night.

It just kept going on and on, and ultimately, drove me crazy.

One day, after yet another one of these dreams, Dennis is finally like, All right, I'm selling it, puts it up in the market, starts waiting for a buyer, and then something strange happens.

Well, something strange. I had made this friend, and she came over for the first time. Is that just like a date?

A lady friend?

Yeah, it was a lady friend. Dennis was giving her a tour, showing her all the improvements until- She was in the kitchen.

Right by the basement door in the kitchen when- She was like, There's some weird presence here.

I was just like, Okay, Okay, well, that was a sign that was not going to last very long.

Fast forward a few years.

Didn't really think too much about it.

Until one day Dennis's realtor is having an open house. No one shows.

She was in the house by herself.

Dennis starts getting these text messages from her.

It's like, Dude, your house is haunted. I can hear people walking around.

She texted that there was definitely something weird going on.

Right by the basement door.

Wait, that's the same spot? Yeah.

I was like, That's weird. But then here's the crazy thing.

Not too long after this, Dennis bumps into an old friend of his, and he's like, Hey, funny thing. Two different people, two separate occasions, had come over to the house, and they said they felt this weird presence.

She was like, Wait, right by the basement door?

Get out.

Yeah. I was like, Okay. I've got Heather, I've got Stacey, I've got Carla, all three who say they feel this weird presence.

Would you consider yourself a bit of a skeptic about such things?

I I would say so. Rationally, I'm just going to say no.

So you don't believe in ghosts? No.

All right. What happened next? Well, this also happened to be right at the time that I sold the house.

Dennis had finally put in some pen to paper, signed a contract, packed up all his stuff.

Carla, the girl that first felt this thing-The girl he went on a date with, they stayed friends. Said to me, I'm really curious about this. Would you mind if I call these ghost people to come and check out this place? I was like, Well, sure. I don't care. It's like, Why not? So very shortly, in a few minutes, actually, we are bringing are normal investigators to find out what's in the basement. I'm just walking through the house. I think I got this on tape of just me walking through the house. I'm like, Well, this is probably a waste of time, but I'm still I'm curious about it. It's Friday night. What else are you going to do? Right. It's a Friday night, mid-November.

Around 6:00.

I can see some cars parking on the street, so I go downstairs.

People start filing in.

Maybe 10 people. We all have different specialties. Larry's our tech guy. About four techies, two sets of clairvoyance. Shontal's the psychic. She's very gifted.

Who are all these people?

Can I get you to just say your name? My name is Brittany Elaine. Well, they're part of the Kansas City Paranormal Investigators Club or some thing.

Pretty much right off the bat.

When you guys came in, you were saying you could talk to people. But when we first got here, we both saw a woman looking out the window at the top. What did she look like? I didn't really see what she looked like. She had long hair. It was gray.

She was wearing one of those weird old tiny dresses. Dennis was like, whatever.

They set up cameras in the basement and in the kitchen.

The clairvoyance They decided they wanted to try to talk to this woman or maybe any other spirit in the house. Brittany-i don't know if I even explain to you what we do-who was the ring leader of the night.

She explained how she does things. She was like, the best way that she could get them to talk to them was through flashlights.

Yeah. What they do is they take a few flashlights, turn them on, and then they unscrew the tops of them just enough so that they turn off. Then they just set the flashlights that are now off in the room by themselves. The idea is that if the ghost or the spirit wants to communicate, they can just touch the top of one of the flashlights with their ghosty finger, and that'll turn it back on. When it's barely connected, all they have to do is either push or pull a tiny bit of energy.

I see.

It's the- It's not that hard.

It's the laziest for them to do. It was like, okay. I guess we can. She took three flashlights, and we all sat in this dark room in a circle. Okay.

Brittany sets the flashlights in the middle of the circle by themselves. No one's touching them.

She says, There's anybody in here?

My name is Brittany.

I'd love to be able to talk with you. Can you turn one of those lights on? And we sit there, and we sit there. Are you here? Then all of a sudden, this light barely blinks on. And then she said, Okay.

Thank you.

Please turn it off. And then it goes off. What we can do with these lights here is if I can ask- And then she says, We have three lights here. The one you just turned on, we'll call yes. Please turn on one more, and that will be no. If you could do that for us, that would be wonderful. And then a second light comes on.

No way. Are you scanning the room, looking for somebody who has a little switch or something?

Yeah, but we didn't pay these people, so they have no reason to fake this, I suppose. But I just keep thinking, Well, the house is really close to the train tracks, and maybe the train.Vibrations.

Of the train Yeah, that makes sense.

But all of a sudden, they were like, Can you hear that? Footsteps. It sounds like there's somebody walking right here in front. And they're going towards the kitchen. And I could hear dishes rattling on the countertop in the kitchen.

No one's in the kitchen?

No one's in the kitchen. If you're in the kitchen right now, can you turn one of these lights on?

And so they sit and stare at these three flashlights. And then... I am at this point leaving the room.

What happened?

Well, actually, everyone in that room died, except for Dennis. God.

I have no idea why he even invited you into this building.

They did not die.

What happened to them?

Actually, they're fine. It turns out that there was a guy downstairs in the basement, one of the techies, walking around pitch black down there, and he just like, bangs his head into like an air duct, and the sound just reverberated throughout the whole house.

Scared him a little bit.

It was very Blairwitchy. Yeah. Anyhow, the techies-Decide that they want to get the three psychics down in the basement themselves.

And so these three women go down in the basement by themselves. We hear them downstairs talking, but we don't really know what's going on. That was interesting. They come back upstairs. All right. I got to go. And they said... The girl was downstairs. She was definitely down there.

The old woman that they first saw when they got to the house, and they said that she was standing down in the basement next to where the old furnace used to be. And they told Dennis that she said that she'd lived here for a long time. Dennis was like, Wait a second. He knew that back in the '30s or something, a woman had lived in this house.

Who was not all there.

One day, she had gone down into the basement.

And thought she was picking light place off of chickens and throwing them into this big furnace that was downstairs in the basement at the time.

She got a little too close to the furnace, story goes.

Caught herself on fire and then died there, I guess, in the basement. Oh, But then there was another man downstairs who showed himself to me, but he won't talk, and he just completely disappeared. What did he look like? He was bald. He was about Rick's height, but it wasn't Rick. Do you have a film like me? Yeah. A lot like me? Not a lot, but similar. Definitely. If I were to show you a picture of my father, would you have any sense if this was him? If I saw a picture of him, yeah, maybe. I found this the other day.

Dennis goes and gets this photo of his dad that he had that was leftover from his Memorial service.

Yep, that's the man I saw. Really? Yep.

Wow.

Let's pause this for just a second. She's very hesitant at the beginning. It's like, well, you know.

I should jump in here really quick and just tell you that this was actually the first time that Dennis had ever to this tape. Really? Yeah. And the reason is because for a long time, he didn't want to listen to it. Why? Well, I think part of it had to do with this moment because- This is the point where my skepticism ticked off. And part of it had to do with what happens next. That's coming up when we return.

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Com/radiolab. On this week's On the Media, the Manosphere is celebrating what it proceeds leaves as a win. I want to thank some people real quick. I want to thank the Nel Poey, Aiden Ross, Theo Vaughn, and last but not least, the mighty and powerful Joe Rogan. So was 2024 the podcast election? Plus, we hear from you, our listeners, on this week's On the Media from WNYC. Find On the Media wherever you get your podcasts. This is Radio Lab. Let's get back to Matt Keelty's Ghost Story. We pick up with our main guy, Dennis Conroe, having just heard from the Ghost Hunters that they encountered a spirit in the basement of his home who looks remarkably like his dead father.

Yeah, that's the man I saw here. So he's here? Yeah, he's here. Can we try to talk to him? We can try to talk to him. Do you think he's in the basement? Or here or all of them? I feel like he went upstairs He's not in the basement anymore. Can we go upstairs and just talk to him? Yeah, absolutely. So I hadn't really told them a whole lot about what the different rooms in the house were, but they led me upstairs to what was his room. Let's do this one more time. And to the corner of the room where his bed was. And they had no idea that that used to be. They had no idea. And I said to them, Okay, well, if he's going to talk, he'll just talk to me. All right, Dan, are you here? You need to turn on a light if you are. Thank you. Thank you, Dan. We're going to call that yes. If you could turn that one-off now and turn on the no light. Any other light? Please. I need to know that you're here. There you go. There you go. Oh. Thanks, dad. Do you want us to leave?

Um, dad, would you like these people to leave? And just talk to me? Yeah. Yes. Okay. We'll get you to sit right here. Okay. We'll get you to sit right here. Dan, I want to know Are you in a good spot? Are you okay? Are you okay? Are you okay? Are you okay, dad? Yes. All right, good. I'm glad to hear that. Okay. Everything off. Everything's off, almost. Almost, yeah. All right, thanks. Okay, I'm going to ask you this. Is Mom here, too? Is Mom here, too. And the other of the three flashlights lights up. Yes, she is All right. Hi, Mom. If you're both here, I love you very much, and I miss you all. I have so many questions for you. I can't ask them all. Just yes or no questions. But I said, Well, have you been able to see the things that done to the house? And both of the lights lit up very brightly, yes. And then-So I've lived here for six years. I've redone the house. I've done a lot of things. Yeah, I said. What do you think? Are you happy with this? Are you happy with the things I've done with the house?

And they both lit up very brightly, yes. And I said, Are you proud of me? Are you proud of what I've done, who I am, what I'm doing? That's very bright, yes. It means a lot to me. So in a few days, guys, I'll probably never set foot in this house again. And I don't want you to stay here and feel like you belong here. I want you to go out and be free. Can you let her go to this house? Are you willing to finally move on? That's fine. Yes. Okay, that's good. Yeah. I'm going to leave you guys. I know that you've been haunting my dreams a lot about this house. I know it's very important to you. It's very important to me. But this is the time. We leave. All right? I know. Yeah. All right. Okay. I'm going to hug. I think you need blood. You're doing your best. Yeah.

You're doing it. That's where it ends. Yeah.

Yeah. That's how I call it being. Exactly like that. Yeah, I teared up a bit.

Keep in mind that this was the first time that Dennis had heard this tape, and so we played it back to him Because we just wanted to see how he remembered that experience.

I guess part of my fear of listening to it was that it would change it and that it would be a different experience. It would be a little more hokey and it would be a little more unclear what was happening. But listening to it again, it was as I recalled it being.

So in the end, does he believe he was actually talking to his dead parents? Well, no. I ended up actually calling this guy who explained to me how this whole flashlight thing works and that there is a perfectly non-paranormal explanation as to what's going on with the flashlight.

It almost feels bad manners at this point to have a practical explanation, but I'm very curious to hear it.

Sure. Well, what's going on is you turn the flashlight on. When you turn the flashlight on, the bulb gets really hot. Then you take the top of the flashlight and you unscrew it just enough that the flashlight flickers off. The flashlight's off and the bulb, it got really hot. The inside of the flashlight also got really hot. There's this little piece of plastic inside the flashlight that when it hot, it expanded. And now, since the flash light's off, that piece of plastic, it starts to cool down and starts to contract. And when it contracts, it pushes these two tiny bits of metal together. These two little bits of metal come into contact, and that's your circuit. So the circuit opens, the light bulb, it goes back on.Oh, then it warms again and cools again.It gets hot. Yeah. And so the little piece of plastic, it starts to get hot. It starts to expand. It pushes the two pieces apart.

And these people chose this flashlight because it had that particular property?

Yeah. Do you think it's like A con or something? No, I don't think so. No, I don't think so. I mean, I even talked to Dennis about this. He's like, I think they're just trying to make sense of randomness. I mean, I don't think they necessarily know that this flashlight does this thing, and therefore, they can manipulate people. Here's why I don't think it's a con, because in this case, it's such a strange coincidence that whenever he wants his mom and dad, his ghostly mother and father, to approve of him and congratulate him and honor him with a yes, it's random, he gets a yes, it means it's random. He could get a no, but he gets a yes. It's just chance. And you told Dennis all this. Yeah, I told Dennis because you told me to tell Dennis. It's true. I forced him. Okay, so when you told him, what did he say? Well, on one level, it didn't faz him. Dennis basically said, Look, I know-I know that the way that the world works is the way that the world works.

People don't come back from the dead. People don't talk to you through flashlights.

But he also said that he's not going to let go of that experience. He wants to have it both ways.

I guess so. I guess I want to have both, yes, this didn't happen, and yes, this absolutely happened.

I understand that. Because even if you are the world's biggest skeptic, if you don't believe in ghosts, there really aren't that many ways to talk about these sorts of things, these sorts of things that we all feel, guilt for the things that we've done in our past, the loss of those who we've loved, that ghost stories seem to stick around because they are an experience, albeit a metaphorical experience, but an experience that lets us talk about these things that we can't adequately talk about, that feeling of being haunted. And so did he eventually sell the house, move out? Yeah, You sold the house, moved out. No more dreams of his parents haunting him?

Well, it's been odd in the time that I've sold the house. Now, I thought the dreams would stop, and now the dreams are that I am the one haunting the house of the new people, where I will just walk in. Really? Yeah. And just be like, Hey, I'm here. Are you going around repairing things? No, I'm just being somewhat shocked locked at what they've done to it. It's like it never stops.

Thanks, Matt. No problem. Matt Kielte. I'm Chad Abumrad. I'm Robert Krowich. Thanks for listening.

Hi, I'm David, and I'm from Baltimore, Maryland. Radiolab was created by Jad Abumrad and is edited by Soren Wheeler. Lulu Miller and Latif Nasser are our co-hosts. Dylan Keef is our Director of Sound Design. Our staff includes Simon Adler, Jeremy Bloom, Bekha Bresler, W. Harry Fortuna, David Gable, Maria Paz Gutierrez, Sindhu Nianam Sambandan, Matt Kielte, Annie McKeown, Rebecca Lacks, Alex Neeson, Sara Kari, Sara Sandback, Ariane Wack, Pat Walters, and Molly Webster. Our fact checkers are Diane Kelly, Emily Krieger, and Natalie Middleton. Hi, this is Ellie from Cleveland, Ohio. Leadership support for Radiolab Science Programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simon Foundation initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P.

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